Friday, February 22, 2008

From Lemons, Lemonade



At some point in his motivational speaking career, Dale Carnegie uttered the famous, if misguided words:

"When fate hands you a lemon, make lemonade."

The fault is not so much in the sentiment-- making lemonade out of lemons is, naturally, a rather positive, productive activity. What bothers me is the underlying belief that there is something inherently unpleasant about this citrus fruit. Carnegie was not alone in his thinking. Used car salesmen have given the lemon a bad name over the years, associating them as they do with automobiles that are slick and shiny on the outside, but of dubious dependability under the hood, which is all rather pot vs. kettle when one stops long enough to think about it.

All I know is this-- Carnegie's family certainly didn't hail from a sunny, Mediterranean clime, or he would never have said it. He might instead have related his comment to the Germans or the idea of an eight-hour work day. When fate hands you a German... you can fill in the rest.

Of course, Carnegie was telling his audience that, when fate hands you something unpleasant, make the best of it. When fate hands me that kind of lemon, I would more than likely stare at it for a moment and say something like, "I don't think that lemon is mine," and walk away.

When fate or, more often than not, the supermarket checker hands me an actual lemon, I am more likely to own it. When fate hands me Meyer lemons, I get happy.

I am not about to delve into the history and genetics of the Meyer lemon today. Others have done it well enough that I do not have to. I suggest you let our own Amy Sherman tell you about them. Read her blog post on Meyer lemons.

If you want a few ideas as to what you can do with Meyer lemons, read another Amy's (Scattergood) fun list "100 things to do with a Meyer lemon" from the Los Angeles Times online to get some great ideas. Some are oddly practical, like playing fetch with them in order to freshen canine breath. If you can come up with other uses, please let me know. No one has mentioned the Meyer lemon as an elbow-softener. Perhaps there are few people who still care for supple joints as I do.

And if you really, really want to know everything you could possibly want to know about the lemon, its history, and its uses, by all means go out and buy yourself a copy of Much Depends on Dinner by Margaret Visser. It's quite a fascinating read.

Look, I just like lemons. Perhaps it's my Sicilian heritage and the fact that my ancestors actually earned their bread and marmellata exporting the little yellow fruits. Which leads me to wonder that, had Dale Carnegie been born, say, Dale Carneghi, he might have said, "When fate hands you a lemon, make limoncello." But he wasn't and he didn't, so I am stuck with making lemonade for the purposes of today's post.

It strikes me as a cruel twist of fate that a fruit which makes such a great summer thirst-quencher should reach its peak in the dead of winter, but that isn't going to stop me from making it. One still needs to stave off scurvy, even in the chilly months. What better way to pretend that winter isn't happening than to wear gingham, put some zinc oxide on your nose and pour yourself a tall glass of lemonade? It is denial perfected. After all, I believe it was Mr. Carnegie who also said, "Happiness doesn't depend on any external conditions, it is governed by our mental attitude." I am not going to argue with him about that. With that as my new credo, I shall chose to pretend it isn't raining outside, my complexion isn't pasty, and I haven't gained 10 pounds. Instead, you'll find me inhabiting my inner world, where it's perpetually sunny, and I am always tan and thin. Thanks for the motivation, Dale.


Meyer Lemonade



Meyer lemons are ideal for making lemonade. Lacking confidence in their own identity (half lemon, half mandarin), they share space well with others. Three flavors that blend well (in lemonade) with the fruit are mint, cucumber, and coriander. Yes, coriander. Don't ask me how I know. I have chosen mint today because it is pretty.

Ingredients:

1 cup freshly squeezed Meyer lemon juice-- about 5 to 6 lemons, depending upon size and juiciness. You can actually squeeze them the night before-- the juice won't separate like orange juice does.

1 cup simple syrup. Mint is added to mine here. I'm not telling you how to make simple syrup.

3 to 4 cups cold, clean water.

Mint sprigs and (very) thinly sliced Meyer lemons for garnish.

Ice cubes, if you're into them. I find they keep the garnish from floating to the top.

Preparation:

1. Take all the ingredients and dump them into a big enough pitcher. Stir and serve.

Or, if you want to be very French about it and serve it comme un vrai citron pressé...

1. Place lemon juice and syrup in the antique apothecary beakers you found for next to nothing at the marché aux puces in Dijon last autumn. Place on a tray with chilled, bottled Volvic, one pastis glass and spoon per person, and a pack of Gauloises Blondes. Let your guests prepare their own concoctions, according to personal taste.

Note: If you opt for cucumber lemonade, slice up a cucumber thinly, add to the water and refrigerate for 24 hours. For coriander? I haven't quite figured that one out. I'll let you know when I do.

Serves 4 to 6.



Friday, February 15, 2008

Dives I Love: Cordon Bleu



Typically, when I heard the phrase "Cordon Bleu", I used to think in purely French terms. Mustachioed men in perfect white chef coats tasting expensive-looking dishes with silver spoons pulled from little pockets in their sleeves. Or I'd think of the literal translation, which is, of course, "blue ribbon", which I might mentally attach to one of the chef's coats. Since I moved near Polk Gulch four years ago, the little Frenchmen in my head have been replaced by thoughts of five spice chicken. And I couldn't be happier about that.

The restaurant isn't much to look at. In fact, there are those who are downright turned off by its distinct lack of physical charm, décor and, well, apparent hygiene. As far as I'm concerned, the unadventurous can keep their distance. It's not as though Cordon Bleu needs their business-- there's a line out the door every evening.

Why the line? Well, Cordon Bleu is tiny-- nine stools bolted around a formica counter, three small tables in the back, and next to no room in between. The real reason for the crowds, however, is the chicken, which they tout as... just read the sign:



I've never been to Vietnam, so I wouldn't know. Considering the fact that the jungle fowl-- the ancient proto-chicken from which all others derive-- originated in Southeast Asia, the Vietnamese have been able to take their time perfecting chicken recipes. The one at Cordon Bleu is pretty damned good, but the best? I'll take their boast with a grain of salt. And a pinch of five spice.

Chinese Five Spice, if you didn't know, is a combination of ground cinnamon (cassia), star anise, cloves, Sichuan pepper, and fennel. When rubbed on chicken, it gives Cordon Bleu the means to pay its rent.



When I visit the place, it's usually before or after seeing a film at the Lumière Theatre, depending upon the subject matter. I'd much rather fill myself here than with movie theatre fare. And possibly for less money than a coke, some popcorn and a candy bar.

The food is-- I hesitate to use the word cheap-- inexpensive. I can stuff myself silly for $8.25 with the "Number Five", which I think is the most expensive thing on the menu.



The Number 5 consists of one piece of "five spiced roast chicken" which, apart from roasting, spent a good deal of time on the grill, one pork and glass noodle fried Imperial roll, one "shish kebab" (which is neither shish nor kebab. It's very thin slices of marinated steak. The only common ground it shares with kebab is that it is meat that spents a good amount of time over a hot grill), country salad (shredded cabbage), and "meat sauce on rice".

Meat sauce on rice. Ground pork, peppers, onions, tomato. It's piled high on nearly every plate. I'm fond of its no nonsense name. And its flavor. It's no surprise to me why SF Weekly dubbed Cordon Bleu the Best Dive Restaurant of 2006. It's good food. And damned cheap.



The next time you're in the neighborhood, whether it be to see an art film, catch a drag show, or pick up a hustler, stop by Cordon Bleu. That is, if you can get in.

Cordon Bleu Vietnamses Restaurant

1574 California Street (at Polk Street)
San Francisco, CA 94109-4708

Phone: (415) 673-5637

Hours: Tuesday- Saturday 11:30 am- 2:30 pm, 5-10 pm.
Sunday 4-10 pm

Cash Only. No alcohol is served, so bring your own beer. Hell, bring some for the women behind the counter. The last time I was there they said they could sure use one.

Friday, February 08, 2008

Joys of Jell-O

The title says it all. There is a world of joy in Jell-O-making.



I picked up this treasure written in 1963 at a garage sale years ago. I had always meant to prepare the recipes from it but, invariably, I'd just dust it off every once in a while to giggle over the saturated color photos.

Flights of 1960's culinary fancy fill the pages. Dishes such as Hawaiian Eyeful, Fruited Perfection, and Under-the-Sea Salad Keep me reading. Fantasies, Medleys and no fewer than five Surprises populate the book. The most surprising being the fact that someone discovered what pleasure combining stewed tomatoes, vinegar and strawberry Jell-o can produce.

I was fascinated by Jell-O's versatility-- a Twentieth Century aspic--especially, according to the company, how well it goes with seafood. The Sea Dream, in which a cucumber and vinegar-spiked lime Jell-O serves as the perfect pedestal for bay shrimp, was intriguing, as was the playfully named Ring-Around-the-Tuna (a "beautiful jewel-like entree salad for your luncheon or buffet table"). Luncheon. I wish more people said that word.





At some point during my latest perusal of this book, I realized that no one I know seems to make Jell-O anymore. Except my friend Karen. Granted, it still seems to be a mainstay of the Mid-western Junior League and the state of Utah, but the product isn't apart of my life as it was when I was a kid. And before you ask, I have never ever wrestled in a pool of it, no matter what anyone tells you.

In my household, there was never any ceremony to its preparation. No sophisticated layering, the special molds collected dust behind my giant playchest of Hot Wheels. One just added the boiling water, poured it into custard cups and shoved them into the refrigerator. At my grandmother's house, it may have been prepared solely and grudgingly for the purpose of entertaining grandchildren. A woman who made pastas, soups, sauces, and desserts entirely from scratch must have held this product in contempt, judging by the cracks and semi-petrified state which developed from lack of interest and/or consumption at the back of her ice box. I never asked her about it, I'd simply take one and eat it anyway--letting the super-hardened bits melt on my tongue. Texture is important to children.

I've gone a very long time without eating Jell-O. What makes this product so immensely popular outside my circle? Is it the watching of its wiggle? The witnessing of its jiggle? Perhaps there are more people with throat infections out there than I had previously thought.

This week, I decided to find out how much joy this gelatinous product could give me.

I thought I would tackle one of the more savory, aspic-like dishes such as Vegetable Salad (pictured below, right) with cauliflower and pimiento.



It was much more difficult than I thought. Rather than the looking somewhat like one of Hedda Hopper's spring hats, which is what attracted me to the dish in the first place, mine took on a rather sinister appearance. Growing impatient for the thing to gel, I had great difficulty in getting the vegetables to suspend themselves attractively. Lots of air bubbles ensued and the result looked more like cauliflower drowning in an algal bloom. It even tasted of futile panic.



And it turned my fingernails green.

I sat down on my couch, empty Lime Jell-O box in hand, and took a look at the ingredients. Sugar topped the list, followed by gelatin, adipic acid (for tartness), less than 2% natural and artificial flavor, disodium phosphate and sodium citrate (control acidity), fumaric acid (for tartness), Yellow 5, Blue 1, BHA (Preservative).

Adipic acid? I looked it up. Granted, this is food grade adipic acid, but the realization that it's primary, non-food use is in the production of nylon and Polyurethane made me a little uneasy. At least fumaric acid is found naturally in lichen and Iceland moss. BHA? Butylated hydroxyanisole, which the National Institute of Health considers reasonably anticipated to be a human carcinogen. I threw my little disaster away.

And yet, I still wanted Jell-O. I opted for something Jell-O-esque instead. Like real gelatin. I grabbed a box of unflavored gelatin from the store shelf and read the ingredient list: gelatin. That's it. I decided to make my own, with a little suggestive help from a recipe on the side of the box. Why not add real fruit juice for tartness? Why not indeed.

Making your own flavors gives you a lot more freedom to explore an exciting gelatinous world outside your door and inside your refrigerator. It doesn't really take any more time than the other stuff. And it wont give you cancer.

In all, I was more disturbed by Jell-O than over-joyed by it. Don't misunderstand me. I love to be disturbed by food items. I enjoy the idea of Jell-o, and there will always be room for it's cookbooks on my shelves, just not in my refrigerator.

Tart Cherry Gelatin



You can use whatever juice you want in this, provided you avoid pineapple, kiwi, ginger, papaya, fig, or guava juice-- the enzymes in these will not allow the gelatin to set. I just chose a tart cherry juice because that's what my mood dictated.

You may or may not wish to add sugar to the recipe. The sugar level of your juice-of-choice will tell you what you need. Just taste it first.

Ingredients:

1 packet (7 grams) of unflavored gelatin
2 cups tart cherry juice
1/4 cup sugar (or not)

Preparation:

1. In a medium bowl, sprinkle gelatin over 1/2 cup cherry juice, letting stand for one minute.
2. Add 1 1/2 cups of boiling cherry juice, stirring until dissolved. Keep stirring for about five
minutes.
3. Pour into vessels of your choice-- a two cup mold, dessert dishes, or wine glasses.
4. Chill for several hours or overnight until firm.
5. Garnish with whatever you feel like. I'm tired of telling you what to do. I chose a slightly
sweetened whipped cream and toasted almonds. Judging by the photo, a lot of whipped
cream.

Serves two.

Thursday, January 31, 2008

Welsh Rabbit, Welsh Rarebit



Always searching for a happy, late-night snack, I recently turned my attention to Welsh Rarebit, primarily because I'd never had it before. I'm not Welsh.

I'd heard tell of rarebit, garnering sufficient information to know that rabbit meat was not involved, yet not enough to understand that this was not some vegetarian variation on S. O. S. , also known as chipped beef on toast. I was certain of two things: 1) bread and cheese were involved and 2) the Welsh were not being flattered in the naming of this dish. I did a little research.

Yes, it was cheese toast and, no, praise for Welsh culture was not intended. Though ostensibly an English dish (other British and European cultures have their own versions), the original name of the dish was Welsh Rabbit. In England, rabbit was considered poor man's meat so, in a rather clever, back-handed way, naming the dish "Welsh Rabbit" suggested that, not only were the Welsh poor, as they were, but too stupid and/or lazy to go out and capture their own prey, thus having to satisfy their hunger with bread and cheese. It's 18th Century insult food. But it's good, both as an insult and as a dish.

Sometime in the late 19th Century, some forward thinking, politically correct person or personess took pity upon the poor Welsh and softened the name by changing it to Welsh Rarebit, taking with it much of the bite. In a sense, making it blander than it need be.

Personally, I think the Welsh are doing just fine. How can one not love a culture that has given the world Tom Jones, Dame Shirley Bassey, and countless vowel-shy place names that no one but an insider can pronounce? And I would argue that this dish is for the lazy. Lazy is a grilled cheese sandwich. Think of this as a grilled cheese sandwich that requires a bit more effort.

Welsh Rarebit with Apples



The rarebit recipe is taken directly from New York Times food columnist Mark Bittman, a.k.a The Minimalist. You can go directly to a video of him preparing the dish here, which is what made me want to make it in the first place. In fact, I spent so much time sitting at my desk, watching his videos I got very little done that day. I've always enjoyed reading him, but I am now an even bigger fan of his as a result of seeing him on camera.

There are a great number of variations on the rarebit-like, cheese on toast theme. I have chosen to prepare Bittman's because, apart from being extremely simple to prepare, it has a little spicy kick. I added sliced apples because I like apples, which is reason enough.

Ingredients:

For the Rarebit:

2 tablespoons butter
1 tablespoon all-purpose flour
1 teaspoon dried mustard
a healthy pinch of cayenne pepper
1/2 bottle of good, dark English beer, like Guiness Stout
a few generous shakes of Worstershire sauce
1 pound excellent English cheddar, grated

For the Rest:

1 loaf of good, hearty wheat or white bread. I do not recommend sliced sandwich bread. The results will depress you.

1 tart, sweet apple, sliced thinly. I used Pink Lady, because I like their flavor, they're available and I loved the pop duo as a child. Granny Smith will do, too.

1 bunch scallion, chopped

Preparation:

In a saucepan large enough to contain all of the ingredients, melt butter over medium low heat and add flour. Cook the mixture, stirring with a wooden spoon, until it is dirty blonde in color and smells faintly nutty.

Add mustard and cayenne pepper, then pour in the beer, stirring all the while. Add Worstershire sauce (if you add the sauce before the beer, the sauce will burn, sending up blackish flecks as you stir, so I do not recommend it). Now add the cheese and keep stirring until your efforts result in a smooth cheese sauce.



Pour into a bowl, large ramekin, or containing vessel of your choice. The rarebit sauce will cool into a solid mass, looking just like a cheese spread, which is precisely what it is. The sauce will keep covered in your refrigerator for several days, which is precisely the idea-- it's ready for you at a moment's notice.

When the moment has notified you sufficiently, slice your crusty bread to its desired thickness, place on a sheet pan and put it under a broiler. If you place the bread slices under your broiler and you notice that no change has occurred to them in several minutes, make sure your broiler's heating element is turned on-- listen to the voice of experience. Toast the slices well on one side, remove the pan from the oven and turn the bread over, replacing them under the broiler and toasting them less thoroughly than you have the previous side-- this will be the upside to your rarebit.



Spread a little of the now-solidified cheese onto your toast. This will adhere your apple slices to the bread. Arrange apple slices over the cheese.

At this point, I like to warm up a bit of the sauce in my microwave on low, to make it softer, therefore easier, to spread over the apple slices. Cover the apples generously with the cheese. Place the hopefully well-constructed toasts under the broiler. Do not remove them until the cheese bubbles and browns. If you have a conventional, broiler-on-the-bottom oven and your kitchen floor is clean enough, I might suggest lying down on the floor with one hand propping up your head and the other clad in an oven mitt, leaving the door of the broiler open a bit in order to get a good view of the action. If you are prosperous enough to have two oven mitts, I would suggest wearing the second one on the hand that supports your head for added comfort.

Remove the toasts from the oven when they have reached the desired doneness, transfer to a serving plate and sprinkle with the scallions. If you eat them immediately, the cheese will very likely burn the roof of your mouth. The time it takes to walk to you refrigerator, grab a beer and pop it open is sufficient cooling time.

Friday, January 25, 2008

Russia House



For years, I've driven by Russia House-- it's large, red letters and neon-framed windows staring me down every time I head south on highway 101. I've wanted to go there for a long time, but just never got around to it. This week, I finally stared back.

Very little information could be gleaned from a Google search of the place and no one I know had ever been there. The most information I could find was a list of seven comments on Yelp.com. The reviews were decidedly mixed. Rumors of all-you-can-eat (and drink) Russian food, dancing, and either a hostile welcome or no welcome at all were all I had to go on. To me, that sounded almost like a dare. I discussed the restaurant with a friend of mine who felt equally up to the challenge. In fact, she said she already had her Russian name picked out for the evening-- Katinka. While I googled her stage name (which I learned means "pure"), she made the reservation. We gathered a group of eight people together, figuring there was a certain safety in numbers.

While I busied myself snapping photos of the Russia House sign upon arrival, the three dining companions I showed up with were confronted by a man of about sixty dressed in blue jeans and leather jacket standing near a sign that read "Dress code strictly enforced." A cigarette hung from the corner of his mouth. He was anything but welcoming. After explaining that we had a reservation, we were allowed entry.

Once past the Russian Cerberus, we stepped inside the zodiac-themed blue doors and walked upstairs to the dining room. The first thing I noticed were the enormous crystal chandeliers that seemed to be in some sort of battle with the neon of the bar for who could throw off the most light. It was extremely bright.

The second thing I noticed was a little girl, maybe seven years old, in some sort of ice dancing outfit. My friend Gary asked if that was the RussianJonbenet. Several other children of varying ages were all dressed up and running about.

The third thing to capture my attention was the group of about thirty people standing about two banks of long, platter-filled tables. Some of them stared at us blankly. Others stared out the window, waiting for someone or perhaps something to happen.

The fourth thing I noticed was that no one came to greet us. After about a minute of standing around trying not to look helpless or uncomfortable, my friend Lyle stopped a waiter who was rushing past us. We mentioned the name of our reservation. He pointed to a table for four and said we could sit there. When we explained that more were joining us, he pointed to a larger table next to the large party with all that shrimp cocktail. We sat. And then we sat some more.

What was I hoping to accomplish by being here? Was this a big mistake? Was the big, Russian dinner I've been promoting among my friends going to be a big, Russian failure? I wondered.



After a thorough examination of a wall mural we decided could only have been inspired by Russian fairy tales filtered through the mind of a Chernobyl survivor,we tired of sitting without benefit of food or drink. No one had approached us for minutes. Lyle pulled some money out of his wallet and beckoned a blond woman who was standing under the neon sign of the bar to come over. He asked for her name and how we might procure some service. While he did this, he handed her the money. She handed the money back, telling us that she wasElya , the owner. When I asked her if she wanted the name of our party for reservation purposes, she said, "No, it's okay. I don't need that." At that point, I knew we needed some vodka. Fast.

We made our vodka selection-- not expensive, considering we had to buy it by the bottle, but decent. 750 ml of Absolut for $60. When it was brought to the table, we asked if there was any real Russian vodka to be had. Elya replied, "No, not yet. Soon." Lyle asked how long Russia House had been open. 20 years. Russian vodka must be harder to obtain than I had previously thought.



We also asked about the menu. We had heard of an all you can eat and drink feast, but what we had in front of us was an a la carte menu. She told us, yes, she did that sometimes on Fridays. Fridays? I told her we understood the restaurant was only open to the public on Saturdays. She shrugged her shoulders and said that sometimes she felt like opening on Friday, too.

When she noted the empty seats around our table, I explained that we were still waiting for the rest of our party.

"Your girlfriends?" she asked.

"Sort of," I replied.

"Are they Russian?"

"No. Not Russian." I thought of the fake Russian names they'd be using tonight.

"That's surprising," she said. "Ninety-five percent of the American men who come here have Russian girlfriends or wives. So why have you come?"

I thought about how to answer that one, but settled on, "To have fun!"

She smiled and got our waiter. I think at some point in that brief exchange, it was decided that we liked each other and the mood of the room shifted. The girls arrived, we settled into our first drink, and Lyle took charge of ordering appetizers.

What came to the table were baskets of soft rye bread and butter, platters of beef tongue, smoked salmon, smoked sturgeon beef piroshke, and shrimp cocktail. Lots of shrimp cocktail.



The beef tongue was good with a little mustard sauce and soft rye bread...



The beef piroshke was excellent. We were certain there was more that just meat in them. We briefly discussed which organs might have been included.



The best dish, to the unanimous decision of the table, was the smoked sturgeon. Salty, faintly smoky and butter on the tongue, it needed nothing but perhaps a little vodka to keep it company on its way down my throat. We had two platters. They even threw in more shrimp cocktail.



Our table livened up after some food, cold vodka, and soda water served in iced pitchers. I looked over at the birthday party next to us. I still didn't see anyone smiling. Just people milling about in fur stoles (women, naturally) and not touching their food. I thought they might be having a wake instead. Commenting on the brightness of the lights, my friend Gary looked to the birthday crowd and commented that he now understood why Russian women wore so much make up-- it was to hold up under those damned bright lights. He wondered where he could get a make up mirror with a Russian setting. I drank a little more vodka.

Then, suddenly, everything changed. Everyone's attention turned to the bandstand. A woman who looked remarkably like Jan Wahl started singing. The lights, mercifully, were dimmed. Everyone started smiling and moved to the dance floor. Apparently, the party had begun.

People danced, moved back to the tables to drink a little, and then danced some more. We watched from our table, since our main courses had arrived. Chicken Kiev, which seemed like a must-have since I frequently ate theStouffer's version as a child, was a bit of a dry disappointment, and shashlik -- kebabs of fish and chicken, we found tastier. Lots of potatoes made their way to our table, as did some excellent pickled vegetables. The hands-down favorite was the watermelon. The eight of us were stuffed and ready now to give our full attention to what was about to happen on the dance floor.



The little girl in what we thought was an ice dancing dress w as partnered with a dancing boy. Everyone in the restaurant crowded around the dance floor. We were shown the proper way to swing dance, fox trot, and just about every other kind of trot. The dancers were cute and we laughed and clapped for them, but the Russians looked on humorless, as if this were something to be taken very seriously, which doesn't seem so surprising when one considers that Russia has produced some of the greatest dancers the world has ever seen. Think Nijinsky, Pavlova, and Baryshnikov. I felt as though I might be missing something important. I had another sip of my vodka.

A much older couple then took over, showing us hot Latin-inspired moves that loosened up the crowd a little. Decency (or simply poor photography skills) prevents me from showing you the 13 year-old girls costume, but I can show you an example of her excellent hand movement...



Having been shown how it's all done, we took to the dance floor ourselves, working off the shrimp cocktail and vodka. Everyone else in the room seemed to have the same idea.





Back at our table for a little resting and watering, I saw that the birthday club had finally sat down to their meal. For a minute or two at a time. Some ran off to dance, some came over to flirt with a couple of my friends.



I thought perhaps we'd gone about our dinner all wrong. We ate then danced. The Russians danced, then ate. Perhaps there was sense in that. Do we see dancing as a digestive activity while they see it as an appetite stimulant? I wondered.

I also wondered what all the fuss about hostile service was about on Yelp. In my opinion, the people that walked away from the place weren't trying hard enough (Yes, I know-- they have a good point). I regarded the experience as a bit of travel adventure.

I'm certainly no sociologist, but given centuries of strong-armed governments, pogroms, and war, I don't think it strange that Russians might be a bit tight-knit, insular, and suspicious as a group. Once we got past the doorman and actually started talking to people, we found them warm and lively. It just takes a little while. To more pat generalizations about the Russians, I think that any civilization that has made such incredible contributions to literature, music, and dance is worth the effort to get to know a little better. And those littlematrioshka stacking dolls. Sigh.

What started out as a rather uncertain evening ended up being a hell of a lot of fun. If you can see yourself making it past the doorman, I say put on your (fake) fur hat and your dancing boots and just go.

Here's a sped-up video of the place. Stop at any frame to get a good look at the joint:



The Russia House is open to the public on Saturday nights. Please don't ask the hours, because I have no idea.

Russia House is located at 2011 Bayshore Boulevard in San Francisco, 94134

Call 415-330-9991 for reservations. Be strong.

Friday, January 18, 2008

Getting Serviced

After a pre-shift service meeting at work the other night, a colleague of mine turned to me and said, "You know, when I go out, I don't even expect good service anymore." I found myself identifying with him.

The following evening he came up to me with a revision-- "Actually, I've come to expect bad service." I thought that was rather harsh, but it got me thinking...

How hard is it to find a good waiter around here? This is one of the great restaurant capitals of the world. Thousands upon thousands of foodies live in the Bay Area. Surely, more than a few work in the service industry.

Of course, being a foodie does not necessarily make one a great waiter. It might provide an excellent culinary knowledge base from which to build, but a great waiter also needs patience, an eye for detail, a battle-tested calm, great diplomatic skills, and human warmth.

Taking care of strangers' needs is a tricky business because, often times, the need goes beyond mere feeding and watering. Taking care of a woman who is trying to impress clients? A man attempting to seduce his date? A table full of women with scrapbooks and wrapped presents on a "Girls Night Out"? Grandma's 80th birthday? If you've been a party to any of those parties, you know what I mean. A great waiter can take any of those situations and turn them into triumph. A bad waiter can turn them into one of those horror stories you tell at cocktail parties.

We all have our opinions as to what great restaurant service is. I think a great waiter has the ability to either wholly incorporate him or herself into a guests dining experience or, if need be, create an environment where the needs of the guests are met with an almost Beauty-and-the Beast-like invisibility. And I am talking Cocteau, not Disney. As a server, I find that I am much more suited to the former rather than the latter.

Following my colleague's comments on the state of San Francisco's service industry, I thought about my own dining experiences. Had I had any great waiters lately? Mostly, I drew a blank. One only remembers the really good or the exceptionally bad. In the good category, I could come up with only two in the past couple of months and both examples occurred where I least expected great service. The best of those two was a young server at Kate's' Kitchen in the Haight. It's hard to pinpoint precisely what it was about her, aside from keeping the coffee cup filled, warning against my ordering too much food, her sense of humor, or her deft analysis of the pros and cons of the cheddar pancakes versus the hash. In my opinion, what made her a great server was all of this and that human warmth factorI have already mentioned. She actually seemed concerned, like her eye was on us, and not in an are-you-stealing-the-silver? sort of way. The fact that she managed this when the restaurant was packed to the gills with a waiting list half a mile long impressed me. I watched her. She wasn't just singling out my table for special service. She treated everyone like that. I think I was a little bit in love.

I'm not getting into the terrible service experiences I've had in the recent past because I'd be typing here all day and I've got another 200 or so people to help take care of at lunch today. I just needed to tell myself something positive about the service industry today because all I ever seem to read is about bitter waiters and bad experiences.

Have you unearthed any great waiters lately? If so, tell me who and where. I want details.

Friday, January 11, 2008

Getting Blood from an Orange



Are you as tired of 2008 as I am? The stock market is tanking as miserably as the housing market, winter storms have left us without power for days (and, in one case I know, without a roof), and I just might scream if I listen to any more caucus coverage. The general mood is anything but sanguine. Is there any good news?

Well, yes. California's citrus crops have been doing rather nicely, especially when compared to last year's disastrous freeze. I realize this isn't the most exciting news in the world, but I feel the need keep my joys simple this year, and what could be simpler than a small, roundish piece of fruit?

Of all the known oranges in the universe, my favorite is the Citrus sinensis, or blood orange. There are three common varieties of which I am aware: the Sicilian Tarocco, the Spanish Sanguinello, and the Moro, which is grown right here. Not exactly "right here", but rather in San Diego. And Texas and Florida, but those are two states I generally try not to think about.

Blood oranges aren't exactly a revelation to most foodies today. In fact, some may think them overplayed and mildly pretentious (before you say anything, remember: glass houses). But, if you can reach back into your past, when you weren't so jaded about food a moment...

The first time I encountered a blood orange, I was fascinated. Don't tell me you weren't. The stupid thought of, "It's an orange, but it's red!" popped out of my mouth. Thank God I was among friends. I think I also used the word "neat". The flavor was, of course, citrusy, but tinged with berries. The acid wasn't overpowering and there was a hint of bitterness behind the sweet of it. It was a fruit I could wholly identify with. I bought up several and ate them out-of-hand, I put them into salads, I squeezed them for juice, which I still do. Apparently, so should you. Read on:

Anthocyanin, the pigment, which gives the orange its distinctive interior color (and possibly gives the fruit its subtle berry-flavored notes), is a powerful antioxidant that neutralizes the effects of free-radical chemicals within our bodies. Free radicals, if you haven't heard, are in part responsible for cancer and, even more horrifying to some people, aging. Anthocyanins also help prevent ulcers and improve one's vision, so drink and eat up.

Blood Orange Salad



I want to thank Erik Cosselmon of Kokkari for this one. There are innumerable ways to slip blood oranges into salads, but this is my favorite method, by far. It's great to eat as either a salad course or as dessert.

Ingredients:

3 blood oranges (Moro are used here, but use whichever you want or can find)
2 to 3 dates (I used Medjools), pit removed and cut into slivers
1/4 cup walnuts, either toasted and salted or candied. I vote candied.
Olive oil for drizzling, the best you've got.
Rose water for more drizzling.

Preparation:

1. With a very sharp knife, cut skin from the oranges. Slice the flesh into 1/2-inch pieces, across the grain, so that they look rather like bleeding morning glories. Arrange on your serving dish of choice.

2. Sprinkle slivered dates and walnuts over and around the orange slices.

3. Drizzle with olive oil.

4. Drizzle with rose water (orange blossom water works very well, too, if rosewater reminds you too much of your grandmother). Be very sparing with the rose water, otherwise your salad will smell rather whorish, in my opinion.

5. Serve and eat. Exhausting recipe, I know. I'll do my best to present you with something easier next time.

Friday, January 04, 2008

Big Night Out: The Melting Pot



Last week, my friend Lyle invited me down to the Peninsula to have a big fondue dinner with him and our friend Jack at The Melting Pot. Why? What else can one do when one's girlfriend is out of town except eat an enormous meal of melted cheese, bread, and hot oil-cooked meat? I took the Caltrain down to San Mateo, empty stomached and ready to be amused. The Melting Pot sounded quaint to me, like some homey, Americanized little Alpine restaurant. I had absolutely no idea it was a 33 year-old national franchise born in Maitland, Florida (just outside of Orlando, not surprisingly) with 130 restaurants in its partnership. Of course, I have absolutely no idea about a lot of things.

As we approached the restaurant, I worried about its size-- a two-story fondue restaurant with outdoor seating? On a cold winter night, I wasn't surprised to see no one dining al fresco. Then I wondered, who eats fondue outside? Give me an old pine table by a roaring fire, not an aluminum one under a portable heat lamp. I knew my hope for quaintness was about to be dashed to pieces upon the hardwood-veneered walls and Corian tabletops inside, so I checked that hope at the door with my coat.



When we entered, the first thing I noticed was The Melting Pot logo etched onto glass, sheeted with a constant stream of water immediately behind the host stand. I shuddered a little. I hoped that, should a grease fire occur at my table, no one would come to douse it with a cooling waterfall. The host standing in front of the image was very friendly and passed us to a server who gave us a table upstairs.



The decor upstairs was evocative of a suburban steak house-- leather banquets, pendant lamps that hang too close to the eyes- forcing one to look down at the table and not at one's dining comanions without sunglasses, and odd bits of painting hanging on the wall. My favorite is shown above. I suppose an endless glass of red wine and a woman who can bend herself any which way is a great night out for some.

Our server was the same woman who showed us to our booth. Over the course of the meal, I would come to decide that she was possibly the best server I'd had in quite some time (much better than the server we had the last time the three of us got together for dinner)-- funny, warm, always showing up when we might need something, and very knowledgeable about the menu. When I asked for the silliest cocktail available, she suggested the Tipsy Turtle, a beverage of various rums and juices. Knowing full well that this was not to be a traditional fondue experience, I accepted, it was refreshing, though I was too stubborn to remove the half of a pineapple wedged into the glass, so it kept hitting me in the nose and I dribbled a little.

Opening the menu, I was immediately depressed by the pull-out image of Marlo Thomas with two cute, smiling yet mortally ill children. I won't argue that St. Jude's Children's Hospital is a worthy charity, I just don't like being accosted for change as I'm settling into dinner, whether it be some man rapping on a window asking me for beer money in the Haight or That Girl. Perhaps most disturbing was the amount of airbrushing done to the photo. I flipped the advertisement over so I no longer had to look at it. That accomplished, I read the large, laminated menu.



Filled with photos, the menu told me what I could expect from The Melting Pot and "How [my] Melting Pot Experience Works". I was relieved to know, with the guidance of image number two shown above, that I was to simply select my salad and presumably eat it without dipping it in anything hotter than ranch dressing.

A four course dinner at the Melting Pot is called a Big Night Out. Mediterranean Cheese Fondue, a choice of salad, a choice of "featured entrée selections", and then a choice of chocolate fondue for dessert.



The Mediterranean Cheese Fondue was a concoction of Swiss Gruyère, a touch of shallot, garlic, white truffle oil, and-- perhaps for Mediterranean-ness-- chopped dates. To my knowledge, the peoples of the Mediterranean have no deep history of fondue. But, I thought, this is the Melting Pot. Cultures will mingle, blend smoothly, just like in this big, big country of ours, God Bless it. I gave it a go. It wasn't bad. I rather liked the dates. What I liked even more was the fact that our server mixed up the whole mess tableside. For one brief moment, it was Benihana with cheese.



The main course selection was rather disappointing. We selected the Fondue Feast platter at $84 per couple, because none of us could see the logic of ordering the Lobster Indulgence at $95 per couple. Who wants lobster fondue? Oh. You do. I'm sorry. I was rather put off by the fact that the price of the platters was listed by the "couple". I might have chosen to write "for two" rather than point a sharp stick in the eye of couple-less souls like myself. Besides, there were three of us. I might have been more impressed had the menu given a break to "throuples".



The platter was a collision of items: filet mignon medallions, citrus pork tenderloin, White Shrimp (?), garlic and herb chicken, vegetables, and balsamic-marinated sirloin which, as a result of sitting in so much blackish vinegar, looked more like liver than sirloin. Also on the platter was pasta. To fry? Jack experimented with one of the black and yellow striped ravioli, lost it in the hot canola oil and asked Lyle and me to help him "find Nemo" because he thought they looked like little clown fish. None of us saw any benefit to frying ravioli, but we ate compulsively.



After we had finished our main course, a gentleman came over to the table to remove the boiling oil from our sight with a fascinating little contraption, the name of which escaped me after a cocktail and a few glasses of wine. I thought back to the Canadian PSA that Mrs. Lucianovic had reported on a few weeks back. A very, very good idea.



Dessert was, to my mind, a bit much, but not out of place, considering where we were. I decided to just embrace this too-muchness and dive in. I selected the Flaming Turtle Fondue-- milk chocolate, caramel, and chopped pecans, flambéed tableside with Amaretto-- as a sort of gilded, lead-filled bookend to my Tipsy Turtle at the beginning of the meal.



A platter of brownies, strawberries, banana, cheesecake, pound cake and various marshmallows sat on our table.



For all my big city, I'm-a-bloody-food-snob posturing, I ate everything. Okay, the Oreo cookie crumb-dusted marshmallows were not palatable, but you can pretty much dip anything in chocolate.

It's little wonder Americans are so fat. A Big Night Out? Well, I felt so much bigger as the result of our dinner. When I returned to Lyle's house, I got on the scale and nearly cried as only a gay man or teen-aged girl can in such situations. I looked at my Melting Pot-belly and thought ahead to my New Year's resolutions.

I think the next time I opt for fondue, I shall do it at home. And simply. Cheese, wine, bread, apples. The warmth of a fire and a friend or two. Perhaps in my own couple. Of course, the only heat source in my apartment is the tiny radiator in my living room, so I may need to rethink the romance of it all. If you've got a fireplace, give me a call.

To visit a Melting Pot near you, visit their (rather bizarre) website. Take special note of the front page and click on a fondue pot or two. Please let me know if you decide to join their Club Fondue.

The Melting Pot in San Mateo is located at:
2 North B Street
San Mateo, CA 94401
(650) 342-6368

For directions, click here.

Hours of Operation:

Monday- Wednesday 5 p.m. to 10 p.m.
Thursday and Friday 4:30 p.m. to 11 p.m..
Saturday 3 p.m. to 11 p.m.
Sunday 3 p.m. to 10 p.m.

Friday, December 28, 2007

Lucky Pork



Always looking for a little extra help with ringing in the New Year correctly, if quietly, I have turned to eating luck-giving food. I would consider 2007 a very good year, since I didn't die as I had supposed I would, on or before my last birthday. I'm not going to attribute my good fortune directly to the eating of Hoppin' John, but I won't entirely discount it either.

So I am continuing my consumption of pork in the New Year, given the fact that pigs are symbolic of good fortune and prosperity. Since most of the ones I've seen end their short lives being consumed by humans, I don't feel that their luck is personal, but rather that it radiates from within their own pot bellies, only to find its way into other pot bellies-- ours. There are, of course, notable exceptions, like Babe, Wilbur, and Arnold Ziffel. If our pig friends are aware of these porcine super-stars, I do not know. I can only imagine that it might mead to unrealistic expectations of salvation and celebrity lifestyle on the part of the pig, but who am I to judge? I still believe I am going to win the lottery and meet a special someone who isn't crazy.

The scientific reasoning behind pork's luckiness stems from the fact that, unlike fish that might swim away with your fortune, or fowl who could very well likely fly away with it (and are thus to be avoided), pigs tend to root out treasure, aiding in your well-deserved prosperity. Not being one to question science, I am upping my pork consumption next week. It seems to be working for my neighbor across the hallway. She looks as though she has spent a lifetime eating nothing but pork several times a day. Judging by the headboard-banging and fascinating vocalizations emanating from the other side of my bedroom wall at this very moment, she seems to be a very lucky woman indeed.

Pork Chops with Apples and Thyme

This is a recipe taken (but is not exactly duplicated) from a cookbook I worked on several years ago called New England by Molly Stevens, which was part of a series called New American Cooking by the folks at Williams-Sonoma. I was the food styling assistant on this book and was initially disappointed that we didn't photograph this recipe. Given the rather monochromatic nature of this dish, I now understand the wisdom of that decision. What this dish lacks in color, it definitely makes up for in flavor. It's seriously good.

Ingredients

4 or 5 fresh sprigs of thyme
2 tablespoons of unsalted butter
2 large tart apples, like Granny Smith, peeled, cored, and sliced
4 center-cut pork loin chops I chose the bone-in variety and, oh, 1 to 2 inches thick
1/2 cup all-purpose flour
salt and ground (fresh) pepper to taste
2 tablespoons of olive oil
3/4 cup apple cider
2 tablespoons white wine vinegar
1 clove of garlic, minced
1/4 cup of heavy cream

Preparation:

1. In a frying pan large enough to hold all four chops, melt butter over medium-high heat. Add apples and sauté, shaking often (the pan, though if you've got the DT's this dish might help. Just pour yourself an extra glass of cider.). When apples have some lovely browning to them, remove them from the pan and transfer to an awaiting bowl.

2. Pat the pork chops dry with paper towels. Season liberally with salt and pepper. Put the flour on a shallow plate and place chops in the flour. Coat on both sides of the pork, shaking off any excess flour.

3. Return your pan to medium-high heat and add the oil. When the oil is very hot but not smoking, add the pork chops and brown evenly on both sides, about 1 to 2 minutes per sides, but no more than that, please. Add cider and vinegar, then turn heat to low. Add garlic and thyme. Cover tightly to cook. turning them once half way through the process. Cook until done, of course, which will take you anywhere from 14 to 18 minutes, depending upon the thickness of your chops. A slight rosy pinkness in the center is idea. In the center of the pork chop, that is.

4. Transfer the chops to a plate and keep warm. I suppose that might relate to both you and your chops. Remove thyme from the pan. Raise the heat to high, scraping the bottom of the pan to dissolve any caramelized bits, and add the cream. Boil until the liquid in the pan is reduced by half. Stir in the apples. Taste and adjust your seasonings.

5. Spoon apples and sauce over the pork chops and serve immediately.

Serves 4

Friday, December 21, 2007

Gravlax



When the weather turns cold and Christmasy, what do you think about? Chances are you think about roaring fires, snowflake-patterned sweaters, or lacing the chestnut stuffing with arsenic. Me, I think about Scandinavian food. In particular, my mind wanders to gravlax.

Perhaps it's just a reaction against all the frosted sugar cookies and enforced glee, but the desire for something clean and salty that comes from a land prone to waves of alcoholism and depression during the long, dark, and cold winter months is irresistible to me.

Gravlax, gravad lax, gravlaks, graavilohi or graflax. However you spell it, it's salmon cured with salt, sugar, and dill. Traditionally, it is served with a gravlaxsas-- a sauce of dill and mustard, and with dense, dark bread or boiled potatoes, but Christmastime is no time to think of tradition, certainly.

Gravlax is a fisherman's dish, originally of salmon salted and the buried in the sand above the high tide line. If you hadn't made the connection between the Scandinavian grav and our word grave, then you weren't paying attention. It should now come as no surprise that the true meaning of gravlax is "salmon dug into the ground." If you, in turn, could now explain to me the true meaning of Christmas, I'll call us even.

The original dish was somewhat fermented, not unlike the way those clever Vietnamese make that lovely fish sauce I used to put into everything, but times have changed. Today, the only burying done to the salmon is in salt and sugar.

If you are as tired of cookies and fudge as I am, this is a great treat to take to a party or have at your own. It's remarkably easy, taking very little skill, which I appreciate during the Holidays. All that is required is a little forward planning.

Gravlax

There are hundreds of recipes for gravlax. I don't know why, since it's basically the product of very few ingredients. The one I used for the purposes of this blog is a good one, but everyone, especially Norwegians, is bound to argue about the exact ratio of salt to sugar. All I have to say is please, not on Christmas, Dawn, not on Christmas.

Ingredients

1 to 2 pounds salmon fillet, sliced into equal pieces. If you want to get fancy, buy center cuts. I, however, do not care.
1/4 cup kosher salt
1/4 cup granulated sugar
1 teaspoon of cracked black pepper
1 bunch of dill
a splash or two of alcohol-- Akvavit is traditional, but vodka or brandy works well, too.

Preparation


1. Remove pin bones, if any, from salmon with needle nose pliers or tweezers.
2. In a small bowl, combine salt, sugar, and pepper.
3. Rub both sides of salmon fillets with salt and sugar mixture. My salt and sugar, when preparing my mise en place for this blog looked very much like a granulated Maidenform bra when poured.



4. Spread remaining sugar and salt mixture onto the pink, fleshy side of the fillets and sprinkle with your booze of choice, but not too much.

5. Lay dill more or less evenly over one of the fillets. I like to crush it in my hands to release the essential oils. Place the second fillet on top of it to form a sandwich, with the salmon acting as the bread. If this is difficult for you to follow, I don't want to know you.



6. Place your "sandwich in an appropriately-sized freezer bag, removing as much air as possible. Close the bag.

7. Place your package in a shallow baking dish or pan and place a weight evenly over it. There is much disagreement about this step. Some people like 5-to-8 pounds of weight, others, none at all. Weighing down the salmon produces a denser finished (or Finnish, in this case) product. I decided to go for something lightweight in both the literal and literary sense.



8. Refrigerate for 2 to 3 days, turning the salmon every 12 hours or so.

9. After the appropriate amount of time, take salmon out of the bag, scrap off most of the dill and pat dry with paper towels. Once cured, the gravlax should stay "fresh", or at least, good, for a week, if refrigerated and well-wrapped.

To serve, slice at a 45 degree angle, as thinly as possible and leaving the skin behind. Drink a little glasas of Akvavit or vodka to toast your good fortunes. Or drink a bit of champagne, that pairs well, too. Did I mention that this is a great New Year's Eve or New Year's Day breakfast dish? No? Well, it is.

What's on Your Shelf?



It seems to be Cookbook Week here on Bay Area Bites, so I thought I'd throw in my two cents...

I think there are entirely too many cookbooks in this world. Okay, in my world. Too many have been choking up my bookshelves collecting dust rather than grease stains, so I thought I would give my kitchen a little purge.

Before you start thinking that I'm just being a bit cranky this morning, I should state that I love cookbooks. Collecting them used to be one of my little fetishes. Fortunately, I've grown out of that little phase. Perhaps it's because I've been involved in the production of more than a few of them, catching authors' mistakes and even adding a few of my own to the mix, sometimes on purpose, just to leave my mark.

Lately, however, I've been wondering just how many cookbooks one actually needs? I don't think I need the one hundred or so in my collection. Some I shall keep for their kitsch value, like my Jell-o cookbook, others I'll let hang around because they're such a damned good read. Do I really need a book devoted exclusively to the baked potato? I don't think so. I don't even know how that one snuck onto my shelves. Out it goes. 100 Recetas Dulces by Sister Bernarda of Argentina? I don't even speak Spanish, but I'll keep the book because I think Sister Bernarda looks like a man. There is no clearly-defined criteria for this weeding-out process.

What I have come to understand about my collection of cookbooks is that there are only a few that I return to over and over again. These are the books I would take with me to my hypothetical desert island. Even if the island lacked a fully functional kitchen or access to a grocery store, these books are just plain great reading. Everyone has their own favorites and, since everyone seems to like lists, I thought I'd post my own list of favorites.

I'd like to know yours, too.

Five Cookbooks I'll Never Throw Away:

The Moosewood Cookbook by Molly Katzen



This was the first cookbook I owned. Actually, I just realized that I didn't own it originally-- it was my college roommate Craig's book. I am not a vegetarian by any stretch of the imagination, but this is the book that hooked our attention as neophyte cooklings in college. The recipes are simple, the ingredients are inexpensive and the handwritten copy is homey and non-threatening, just the ticket for those who might be intimidated by the cooking process(es). I return to this book when I am feeling broke, nostalgic, or both.

This book holds a permanent space on my shelf for another reason: Ten years after my introduction to this book, it was Molly Katzen (and very specifically, a lovely producer-woman named Tina Salter) who gave me my first job in food media on her show Vegetable Heaven. Thank you.

The Way to Cook by Julia Child



This is my go to for "how to". Full of no nonsense photos populated by Mrs. Child's skillful old hands and informative sidebars, this is the book I bought when I decided to get "serious" about cooking. I've never abandoned it and, more importantly, it has never abandoned me. It walked me through the first Thanksgiving dinner prepared my by own soft, lily white, hairy-knuckled little hands. Fool (me)-proof choux pastry? It's in here.

The Best Recipe by the editors of Cook's Illustrated



This is the book I read for "how not to". Any group of people who takes the time to find out and report what not to do when, say grilling a steak, is okay in my book. Walk-throughs of tricky or intimidating techniques like lattice-topping a pie are well-illustrated and, of course, the examination of how one might best avoid tearing up when cutting onions is priceless. This is one of my best-stained and highest-functioning volumes.

The Art of Eating by M.F.K. Fisher



This is not exactly a cookbook, but it has enough recipes within it to make this list. Her opinions on and recipe for oyster stew in the section entitled, simply enough, Consider the Oyster, made me get up off my ass and learn to shuck when I was younger. I've read it cover to cover at least five times and I return to it whenever I need to remind myself to stop eating Chinese food over the sink and take better care of my inner and outer self, when I am feeling sad or alone or both. Fisher's writing is thoughtful, self-obsessed and some of the best writing about food ever. Amen. My copy is quite literally falling apart, but I hesitate buying a new copy. I'd hate to get rid of this old friend.

Lunches and Brunches by the editors of Better Homes and Gardens (1963)



This book is a jewel. A gaudy paste-diamond perhaps, but a jewel, nonetheless. It satisfies all of my kitsch needs: garish, color-saturated photography, what-were-they-thinking? recipes, etc. And everything seems to have gelatin in it, like some sort of Mormon family picnic. It's a peek into the past-- a time when cream sauces were "fancy" and people drank coffee with every meal. Confetti Relish Mold? Yes, lemon-flavored Jell-o, scallions, radishes, beef bouillon, and sour cream sounds like a heavenly combination. You will have to rip this book from my cold, dead aristocratic hands..

Well, those are mine. What are yours?